Showing posts with label Bob Marley Biography. Show all posts
Showing posts with label Bob Marley Biography. Show all posts
Thursday, September 16, 2010
Wednesday, September 15, 2010
Bob Marley No More Trouble Lyrics
(We don't need) No, we don't need
(no more trouble) no more trouble!
(We don't need no more trouble)
Wo! Oh-oh-oh!
(We don't need) We don't need no (no more) trouble!
We don't need no trouble!
(We don't need no more trouble)Make love and not war! 'Cause we don't need no trouble.
What we need is love (love)
To guide and protect us on. (on)
If you hope good down from above, (love)
Help the weak if you are strong now. (love)
We don't need no trouble;
What we need is love. Oh, no!
We don't need - we don't need - no more trouble!
Lord knows, we don't need no trouble!
(We don't need) We don't need trouble (no more trouble) -
no more trouble - no more trouble!
Seek happiness! (...) Oh, ...!
Come on, you all and speak of love. (...) Oh, yeah!
We don't need no trouble;
What we need is love, now. (What we need is love!)
(We don't need) Oh, we don't need no more trouble!
We don't need, no - we don't need no trouble!
We don't (need) - no, brothers and sisters ... (no more trouble!)
We don't need no trouble; we don't need no trouble!
We don't need no trouble!
What we need is love!
We don't need - we don't need no more - we don't need -
no more trouble - we don't need no more trouble!
Trouble we don't need (we don't need),
(We don't need) Lord, knows! -
we don't need no more war (no more trouble).
No more trouble - we don't need no more - more trouble!
Tuesday, September 14, 2010
Bob Marley Bad Card Lyrics
You a-go tired fe see me face;
Can't get me out of the race.
Oh, man, you said I'm in your place
And then you draw bad cyard -
A-make you draw bad cyard,
And then you draw bad cyard.
Propaganda spreading over my name;
Say you wanna bring another life to shame.
Oh, man, you just a-playing a game
And then you draw bad cyard (draw bad cyard);
A-make you draw bad cyard (draw bad cyard);
A-make you draw bad cyard.
I want to disturb my neighbour,
'Cause I'm feelin' so right;
I want to turn up my disco,
Blow them to full watts tonight, eh! -
In a rub-a-dub style, in a rub-a-dub style,
In a rub-a-dub style, in a rub-a-dub style.
'Cause we guarding the palace so majestic;
Guarding the palace so realistic!
Them a-go tired to see we face (oh yeah!),
Me say them can't get we out of the race;
Oh, man, it's just a big disgrace.
The way you draw bad cyard (draw bad cyard);
The way you make wrong moves (make wrong moves);
The way you draw bad cyard (draw bad cyard);
A-make you draw bad cyard (draw bad cyard);
A-make you draw bad cyard -
In a rub-a-dub style, rub-a-dub style,
In a rub-a-dub style
Bob Marley Get Up, Stand Up Lyrics
Get up, stand up, stand up for your rights
Get up, stand up, stand up for your rights
Get up, stand up, stand up for your rights
Get up, stand up, don't give up the fight
Preacher man don't tell me
Heaven is under the earth
I know you don't know
What life is really worth
It's not all that glitters is gold
Half the story has never been told
So now you see the light
Stand up for your rights
Get up, stand up, stand up for your rights
Get up, stand up, stand up for your rights
Get up, stand up, stand up for your rights
Get up, stand up, don't give up the fight
Most people think
Great good will come from the skies
Take away everything
And make everybody feel high
But if you know what life is worth
You would look for yours on earth
And now you've seen the light
You stand up for your rights
Get up, stand up (yeah, yeah)
Stand up for your rights (oh)
Get up, stand up (get up stand up)
Don't give up the fight (life is your right)
Get up stand up (so we can't give up the fight)
Stand up for your right (lord lord)
Get up, stand up (people struggling on)
Don't give up the fight (yeah)
We're sick and tired of your ism-schism game
To die and go to heaven in Jesus' name
We know and understand
Almighty God is a living man
You can fool some people sometimes
But you can't fool all the people all the time
And now we've seen the light (What you gonna do)
We gonna stand up for our rights
Get up, stand up
Stand up for you rights
Get up, stand up
Stand up for your rights
Get up, stand up
Stand up for your rights
Get up, stand up
Don't give up the fight
Bob Marley Redemption Song Lyrics
Old pirates, yes, they rob I
Sold I to the merchant ships
Minutes after they took I
From the bottomless pit
But my hand was made strong
By the hand of the almighty
We forward in this generation
Triumphantly
Won't you help to sing
These songs of freedom?
'Cause all I ever have
Redemption songs
Redemption songs
Emancipate yourselves from mental slavery
None but ourselves can free our minds
Have no fear for atomic energy
'Cause none of them can stop the time
How long shall they kill our prophets
While we stand aside and look? Ooh
Some say it's just a part of it
We've got to fullfil the book
Won't you help to sing
These songs of freedom?
'Cause all I ever have
Redemption songs
Redemption songs
Redemption songs
Emancipate yourselves from mental slavery
None but ourselves can free our mind
Woh, have no fear for atomic energy
'Cause none of them-a can-a stop-a the time
How long shall they kill our prophets
While we stand aside and look?
Yes, some say it's just a part of it
We've got to fullfill the book
Won't you help to sing
These songs of freedom?
'Cause all I ever had
Redemption songs
All I ever had
Redemption songs
These songs of freedom
Songs of freedom
Bob Marley One Drop Lyrics
Feel it in the one drop
Well, I still find time to rap
We're making the one stop
The generation gap
So feel this drumbeat
As it beats within playing a rhythm
Resisting against the system
Ooh-we I know Jah would never let us down
Pull your rights from wrong
I know Jah would never let us down
Oh no! Oh no!
They made their world so hard
Every day we got to keep on fighting
They made their world so hard
Every day the people are dying
It dread, dread for hunger and
starvation dread dread, dread on dread
Lamentation dread dread
But read it in Revelation dread dread
You'll find your redemption
And then you
Give us the teachings of His Majesty
For we no want no devil philosophy
A you fe give us the teaching of His Majesty
For we no want no devil philosophy
Feel it in the one drop
And we still find time to rap
We're making the one stop
And we filling the gap
So feel this drubeat
As it beats within playing a rhythm
Fighting against ism and skism
Singing I know Jah would never let us down
Pull your rights from wrong
I know Jah would never let us down
Oh no! Oh no!
They made their world so hard
Every day we got to keep on fighting
They made their world so hard
Every day the people are dying
It dread, it dread, it dread
Dread dread, what can I say, it dread
It dread on dread, dread, dread
It dread, it dread dread
Give us the teachings of His Majesty
For we no want no devil philosophy
Can you hear
Give us the teachings of His Majesty
For we no want no devil philosophy
We feel it in the one drop
For we still got the time to rap
And we're making the one stop
Let me tell you this generation gap
So feel this drumbeat
I tell you what, it's beating within
Feel you heart playing a rhythm
And you know it's resisting against ism and skism
Singing I know Jah would never let us down
Bob Marley Stir It Up Lyrics
Stir it up; little darlin', stir it up. Come on, baby.
Come on and stir it up: little darlin', stir it up. O-oh!
It's been a long, long time, yeah!
(stir it, stir it, stir it together)
Since I got you on my mind. (ooh-ooh-ooh-ooh) Oh-oh!
Now you are here (stir it, stir it, stir it together), I said,
it's so clear
There's so much we could do, baby, (ooh-ooh-ooh-ooh)
Just me and you.
Come on and stir it up; ..., little darlin'!
Stir it up; come on, baby!
Come on and stir it up, yeah!
Little darlin', stir it up! O-oh!
I'll push the wood (stir it, stir it, stir it together),
then I blaze ya fire;
Then I'll satisfy your heart's desire. (ooh-ooh-ooh-ooh)
Said, I stir it every (stir it, stir it, stir it together),
every minute:
All you got to do, baby, (ooh-ooh-ooh-ooh)
Is keep it in, eh!
(Stir it up) Oh, little darlin',
Stir it up; ..., baby!
Come on and stir it up, oh-oh-oh!
Little darlin', stir it up! Wo-oh! Mm, now, now.
Quench me when I'm thirsty;
Come on and cool me down, baby, when I'm hot. (ooh-ooh-ooh-ooh)
Your recipe is, - darlin' - is so tasty,
When you show and stir your pot. (ooh-ooh-ooh-ooh)
So: stir it up, oh!
Little darlin', stir it up; wo, now!
Come on and stir it up, oh-ah!
Little darlin', stir it up!
---[Guitar solo]
---
Oh, little darlin', stir it up. Come on, babe!
Come on and stir it up, wo-o-a!
Little darlin', stir it up! Stick with me, baby!
Come on, come on and stir it up, oh-oh!
Little darlin', stir it up.
Monday, September 13, 2010
Bob Marley Family Loses Case Over Hit Records
By Jonathan Stempel
NEW YORK (Reuters) – Bob Marley family lost a lawsuit seeking the copyrights to several of the late Jamaican reggae singer's best-known recordings.
U.S. District Judge Denise Cote in Manhattan said the UMG Recordings unit of Vivendi SA's Universal Music Group is the rightful owner of copyrights to five albums that Marley had recorded between 1973 and 1977 for Island Records
The albums "Catch a Fire," "Burnin'," "Natty Dread," "Rastaman Vibrations" and "Exodus" were recorded with Marley's band The Wailers. They include some of Marley's best-known songs, including "Get Up, Stand Up," "I Shot the Sheriff," "No Woman, No Cry" and ''One Love."
Marley died of cancer in 1981 at age 36. Friday night's ruling is a defeat for Marley's widow Rita and nine children who had sought to recover millions of dollars in damages over UMG's effort to "exploit" what they called "the quintessential Bob Marley sound recordings."
L. Peter Parcher and Peter Shukat, who are lawyers for the family, did not immediately return calls seeking comment. UMG spokesman Peter LoFrumento said the company is pleased with Cote's ruling.
Marley's family accused UMG of intentionally withholding royalties from their company Fifty-Six Hope Road Music Ltd, and ignoring a 1995 agreement assigning them rights under the original recording agreements, court papers show.
It also accused UMG of failing as required to consult with them on key licensing decisions, including the use of Marley's music as "ringtones" on AT&T, Sprint and T-Mobile phones, the papers show.
But Cote concluded that Marley's recordings were "works made for hire" as defined under U.S. copyright law, entitling UMG to be designated the owner of those recordings, for both the initial 28-year copyright terms and for renewals.
"Each of the agreements provided that the sound recordings were the 'absolute property' of Island," Cote wrote. "Whether Marley would have recorded his music even if he had not entered the recording agreements with Island is beside the point."
She added that it was irrelevant that Marley might have maintained artistic control over the recording process. What mattered, she said, was that Island had a contractual "right" to accept or reject what he produced.
Cote also denied the Marley family's request for a ruling upholding its claims over digital downloads, citing ambiguity in a 1992 royalties agreement.
She directed the parties to enter court-supervised settlement talks, and scheduled an October 29 conference.
The case is Fifth-Six Hope Road Music Ltd v. UMG Recordings Inc, U.S. District Court, Southern District of New York, No. 08-06143.
She added that it was irrelevant that Marley might have maintained artistic control over the recording process. What mattered, she said, was that Island had a contractual "right" to accept or reject what he produced.
Cote also denied the Marley family's request for a ruling upholding its claims over digital downloads, citing ambiguity in a 1992 royalties agreement.
She directed the parties to enter court-supervised settlement talks, and scheduled an October 29 conference.
The case is Fifth-Six Hope Road Music Ltd v. UMG Recordings Inc, U.S. District Court, Southern District of New York, No. 08-06143.
(Reporting by Jonathan Stempel in New York; Editing by Derek Caney)
Copyright 2010 Reuters News Service. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
NEW YORK (Reuters) – Bob Marley family lost a lawsuit seeking the copyrights to several of the late Jamaican reggae singer's best-known recordings.
U.S. District Judge Denise Cote in Manhattan said the UMG Recordings unit of Vivendi SA's Universal Music Group is the rightful owner of copyrights to five albums that Marley had recorded between 1973 and 1977 for Island Records
The albums "Catch a Fire," "Burnin'," "Natty Dread," "Rastaman Vibrations" and "Exodus" were recorded with Marley's band The Wailers. They include some of Marley's best-known songs, including "Get Up, Stand Up," "I Shot the Sheriff," "No Woman, No Cry" and ''One Love."
Marley died of cancer in 1981 at age 36. Friday night's ruling is a defeat for Marley's widow Rita and nine children who had sought to recover millions of dollars in damages over UMG's effort to "exploit" what they called "the quintessential Bob Marley sound recordings."
L. Peter Parcher and Peter Shukat, who are lawyers for the family, did not immediately return calls seeking comment. UMG spokesman Peter LoFrumento said the company is pleased with Cote's ruling.
Marley's family accused UMG of intentionally withholding royalties from their company Fifty-Six Hope Road Music Ltd, and ignoring a 1995 agreement assigning them rights under the original recording agreements, court papers show.
It also accused UMG of failing as required to consult with them on key licensing decisions, including the use of Marley's music as "ringtones" on AT&T, Sprint and T-Mobile phones, the papers show.
But Cote concluded that Marley's recordings were "works made for hire" as defined under U.S. copyright law, entitling UMG to be designated the owner of those recordings, for both the initial 28-year copyright terms and for renewals.
"Each of the agreements provided that the sound recordings were the 'absolute property' of Island," Cote wrote. "Whether Marley would have recorded his music even if he had not entered the recording agreements with Island is beside the point."
She added that it was irrelevant that Marley might have maintained artistic control over the recording process. What mattered, she said, was that Island had a contractual "right" to accept or reject what he produced.
Cote also denied the Marley family's request for a ruling upholding its claims over digital downloads, citing ambiguity in a 1992 royalties agreement.
She directed the parties to enter court-supervised settlement talks, and scheduled an October 29 conference.
The case is Fifth-Six Hope Road Music Ltd v. UMG Recordings Inc, U.S. District Court, Southern District of New York, No. 08-06143.
She added that it was irrelevant that Marley might have maintained artistic control over the recording process. What mattered, she said, was that Island had a contractual "right" to accept or reject what he produced.
Cote also denied the Marley family's request for a ruling upholding its claims over digital downloads, citing ambiguity in a 1992 royalties agreement.
She directed the parties to enter court-supervised settlement talks, and scheduled an October 29 conference.
The case is Fifth-Six Hope Road Music Ltd v. UMG Recordings Inc, U.S. District Court, Southern District of New York, No. 08-06143.
(Reporting by Jonathan Stempel in New York; Editing by Derek Caney)
Copyright 2010 Reuters News Service. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Bob Marley - Coming In From The Cold Lyrics
In this life, in this life, in this life,
In this, oh sweet life:
We're (we're coming in from the cold);
We're coming in (coming in), coming in (coming in),
coming in (coming in), coming in (coming in),
Coming in from the cold.
It's you - it's you - it's you I'm talkin' to -
Well, you (it's you) - you (it's you) - you I'm talking to now.
Why do you look so sad and forsaken?
When one door is closed, don't you know another is open?
Could you let the system make you kill your brotherman?
No, no, no, no, no, no! No, Dread, no!
Could you let the system make you kill your brotherman?
(No, Dread, no!)
Would you make the system get on top of your head again?
(No, Dread, no!)
Well, the biggest man you ever did see was - was just a baby.
In this life (in this life),
In this (in this life, oh sweet life):
Coming in from the cold;
We're coming in (coming in), coming in-a (coming in),
coming in (coming in), ooh! (coming in)
Coming in from the cold!
It's life (it's life), it's life (it's life), it's life (it's life):
it's - wa - well! - coming in from the cold!
We're coming in (coming in), coming in (coming in) -
ooh (coming in), hey! (coming in),
Coming in from the cold!
It's you - you - you I'm talking -
Well, yes, you, bilyabong! (it's you);
ew! - you I'm talking to now.
We-e-ell, why do you look so - look so - look so sad -
look so sad and forsaken?
Don't you know: When one door is closed - when one door is closed,
many more is open?
We-e-e-ell, would you let the system get on top of your head again?
No, no, no, no, no, no, no, no, no, Dread, no!
Would you let the system make you kill your brotherman?
No, Dread, no!
We-e-e-ell, would you make the system get on top of your head again?
(No, Dread, no!) No, no, no, no, no, no, no, no, no, no!
Well, the biggest - biggest man you ever - ever
Did-a see was-a - was-a once a baby.
In this life, in this life, in this life,
In this, oh, sweet life,
We're (coming in from the cold) from the cold!
We're coming in (coming in), coming in (coming in),
coming in (coming in), wo-o! Yea-ea-eah!
Coming in from the cold
We're coming in-a, coming in-a, coming in-a, coming in-a!
Yeah, yeah, yeah, yeah, yea-ea-ea-eah!
Coming in from the cold
Coming in (coming in), coming in (coming in) -
(coming in) (coming in)
(coming in) from the - from the cold!
Bob Marley - Jammin Lyrics
Ooh, yeah! All right!
We're jammin':
I wanna jam it wid you.
We're jammin', jammin',
And I hope you like jammin', too.
Ain't no rules, ain't no vow, we can do it anyhow:
I'n'I will see you through,
'Cos everyday we pay the price with a little sacrifice,
Jammin' till the jam is through.
We're jammin' -
To think that jammin' was a thing of the past;
We're jammin',
And I hope this jam is gonna last.
No bullet can stop us now, we neither beg nor we won't bow;
Neither can be bought nor sold.
We all defend the right; Jah - Jah children must unite:
Your life is worth much more than gold.
We're jammin' (jammin', jammin', jammin')
And we're jammin' in the name of the Lord;
We're jammin' (jammin', jammin', jammin'),
We're jammin' right straight from Yah.
Yeh! Holy Mount Zion;
Holy Mount Zion:
Jah sitteth in Mount Zion
And rules all creation.
Yeah, we're - we're jammin' (wotcha-wa),
Wotcha-wa-wa-wa, we're jammin' (wotcha-wa),
See, I wanna jam it wid you
We're jammin' (jammin', jammin', jammin')
I'm jammed: I hope you're jammin', too.
Jam's about my pride and truth I cannot hide
To keep you satisfied.
True love that now exist is the love I can't resist,
So jam by my side.
We're Jammin' (jammin', jammin', jammin'), yeah-eah-eah!
I wanna jam it wid you.
We're jammin', we're jammin', we're jammin', we're jammin',
We're jammin', we're jammin', we're jammin', we're jammin';
Hope you like jammin', too.
We're jammin', we're jammin' (jammin'),
We're jammin', we're jammin' (jammin').
I wanna (I wanna jam it wid you) - I wanna -
I wanna jam wid you now.
Jammin', jammin' (hope you like jammin' too).
Eh-eh! I hope you like jammin', I hope you like jammin',
'Cause (I wanna jam it wid you). I wanna ... wid you.
I like - I hope you - I hope you like jammin', too.
I wanna jam it;
I wanna jam it.
Bob Marley - Africa Unite Lyrics
Ziya-po ya-ya, pa-pa-ya-pa!
Ti-da-lee, na po-po pu-du-loo!
Ste-na-peh na-na po po-ro po!
Africa unite:
'Cause we're moving right out of Babylon,
And we're going to our Father's land, yea-ea.
How good and how pleasant it would be before God and man, yea-eah! -
To see the unification of all Africans, yeah! -
As it's been said a'ready, let it be done, yeah!
We are the children of the Rastaman;
We are the children of the Iyaman.
So-o, Africa unite:
'Cause the children (Africa unite) wanna come home.
Africa unite:
'Cause we're moving right out of Babylon, yea,
And we're grooving to our Father's land, yea-ea.
How good and how pleasant it would be before God and man
To see the unification of all Rastaman, yeah.
As it's been said a'ready, let it be done!
I tell you who we are under the sun:
We are the children of the Rastaman;
We are the children of the Iyaman.
So-o: Africa unite,
Afri - Africa unite, yeah!
Unite for the benefit (Africa unite) for the benefit of your people!
Unite for it's later (Africa unite) than you think!
Unite for the benefit (Africa unite) of my children!
Unite for it's later (Africa uniting) than you think!
Africa awaits (Africa unite) its creators!
Africa awaiting (Africa uniting) its Creator!
Africa, you're my (Africa unite) forefather cornerstone!
Unite for the Africans (Africa uniting) abroad!
Unite for the Africans (Africa unite) a yard!
Bob Marley - 400 Years Lyrics
400 years (400 years, 400 years. Wo-o-o-o)
And it's the same -
The same (wo-o-o-o) philosophy
I've said it's four hundred years;
(400 years, 400 years. Wo-o-o-o, wo-o-o-o)
Look, how long (wo-o-o-o)
And the people they (wo-o-o-o) still can't see.
Why do they fight against the poor youth of today?
And without these youths, they would be gone -
All gone astray
Come on, let's make a move:
(make a move, make a move. Wo-o-o-o, wo-o-o-o)
I can (wo-o-o-o) see time (wo-o-o-o) - time has come,
And if-a fools don't see
(fools don't see, fools don't see. Wo-o-o-o)
I can't save the youth:
The youth (wo-o-o-o) is gonna be strong.
So, won't you come with me;
I'll take you to a land of liberty
Where we can live - live a good, good life
And be free.
Look how long: 400 years, (400 years, 400 years) -
Way too long! (wo-o-o-o)
That's the reason my people (wo-o-o-o) - my people can't see.
Said, it's four hundred long years - (400 years, 400 years. Wo-o-o-o)
Give me patience (wo-o-o-o) - same philosophy.
It's been 400 years, (400 years, 400 years)
Wait so long! Wo-o-o-o, wo-o-o-o.
How long? 400 long, long years.
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